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Home / Jerry Cullum Critic for Art in America Les Bell

Jerry Cullum Critic for Art in America Les Bell

Philip Taaffe in the studio, 2000 © Chris Felver

PHILIP TAAFFE was born in Elizabeth, New Jersey in 1955, and studied at the Cooper Union in New York. His start solo exhibition was in New York in 1982. He has traveled widely in the Middle East, Bharat, South America, and Kingdom of morocco, where he collaborated with Mohammed Mrabet on the book Chocolate Creams and Dollars, translated by Paul Bowles (Inanout Printing, New York: 1993). Taaffe lived and worked in Naples from 1988-91. He has been included in numerous museum exhibitions, including the Carnegie International, two Sydney Biennials, and three Whitney Biennials. In 1990 his work was the subject of an extensive critical study in Parkett no. 26 (Zurich & New York). His work is in numerous public collections, including the Museum of Modern Art, New York; the Philadelphia Museum of Art; the Whitney Museum of American Art; and the Reina Sofia, Madrid. In the yr 2000, the IVAM museum in Valencia organized a retrospective survey of his piece of work, with contributions by Enrique Juncosa, Robert Rosenblum, and Robert Creeley. In 2001 an extensive survey of his work was presented by the Galleria Civica of Trento, Italy (with texts by Vittoria Coen and Francesco Pellizzi). In 2004 the Galleria d'Arte Moderna in San Marino (Italy) presented a survey of paintings and drawings based on the creative person's explorations with floating pigments and the paper marbling procedure, accompanied by the Skira publication, Carte annuvolate (Deject Papers) with esssays by Peter Lamborn Wilson and John Yau. In 2008 the Kunstmuseum Wolfsburg organized a retrospective survey, The Life of Forms in Art: Paintings 1980-2008, with a publication by Hatje Cantz, featuring contributions past Markus Brüderlin, Holger Broeker, Kay Heymer, and Brooks Adams. Philip Taaffe presently works and lives in New York City, and Westward Cornwall, Connecticut.

PHILIP TAAFFE BIBLIOGRAPHY

Books and Catalogues:

2016

  • Orlean, Susan and Philip Taaffe. The Floral Ghost. New York: Planthouse, 2016.

2015

  • Raymond Foye. Philip Taaffe: Writ on Water. Trento, Italy: Studio d'Arte Raffaelli; Milan: Luca Tommasi Arte Contemporanea, 2015.
  • Philip Taaffe: L'Envoi (Texts past the artist). Brussels: Jablonka Maruani Mercier, 2015

2014

  • Wilson, Peter Lamborn and Jack Hirschman. Philip Taaffe: Rangavalli. Trento, Italy: Studio d'Arte Raffaelli
  • Poirer, Matthieu. Postal service-Op: Du perceptuel au pictural. 1958–2014. Pais: Galerie Perrotin  p. half-dozen, 29

2013

  • Philip Taaffe: Contempo Work. New York, Luhring Augustine Gallery
  • Between the Lines: A Coloring Volume of Drawings by Gimmicky Artists. Vol. four. New York, NY: RXArt, 2013, pp. 36–37.

2012

  • Philip Taaffe: Recent Paintings and Drawings Aspen, Baldwin Gallery
  • Grachos, Louis, Douglas Dreishpoon and Heather Pesanti. Decade: Contemporary Collecting 2002-2012, Buffalo, NY: The Buffalo Fine Arts University, 2012, p. 178, 219, 302, 344.
  • Manguel, Alberto. Philip Taaffe: Paintings. Köln: Galerie Jablonka.

2011

  • Philip Taaffe: Drawings and Paintings Jablonka Galerie/Jablonka Pasquer Projects, Cologne New Paintings, Böhm Chapel, Huerth
  • Philip Taaffe: Anima Mundi Dublin, Irish Museum of Modern Art

2010

  • Philip Taaffe: Unveilings Bologna, MAGI' 900
  • Philip Taaffe: Works On Paper New York, Gagosian Gallery
  • Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting. Phaidon.
  • Grabar, Oleg. Ornement/ Ornemental Perspective.
  • Giulio Bargnellini. Philip Taaffe. Magi 900. Bologna.

2009

  • Philip Taaffe: Opere recenti/Recent Work.Texts by Alan Jones. Poems by Peter Lamborn Wilson. Trento: Studio d'Arte Raffaelli, 2009

2008

  • Philip Taaffe: The Life of Forms. Text past Kay Heymer, Brooks Adams, Markus Bruderlin, Holger Broeker, Philip Taaffe. Publisher: Hatje Cantz, 2008
  • Grabar, Oleg. The Tensions of Visual Creativity, in Philip Taaffe. Jablonka Galerie, Abu Dhabi International Fine Arts and Antiques Fair.
  • Adams, Brooks; Broeker, Holger; Brüderlin, Markus; Heymer, Kay. Philip Taaffe:Das Leben der Formen. Werke 1980-2008, (The Life of Forms. Works 1980-2008) Kunstmuseum Wolfsburg, Germany/Hatje Cantz.

2007

  • White, Edmund, David Moos & Marina Warner. Philip Taaffe. New York: Gagosian Gallery.
  • Rimanelli, David. Philip Taaffe: Works from the Portalakis Drove. Athens: The Portalakis Collection.

2004

  • Philip Taaffe: Bill of fare Annuvolate. Texts by Peter Lamborn Wilson, Gianni Romano, Walter Gasperoni. Milan: Skira; San Marino: Galleria d'Arte Moderna e Contemporanea
    della Repubblica di San Marino

2003

  • Katz, Vincent. Philip Taaffe: Contempo Paintings & Drawings. Zurich: Thomas Ammann Fine Art.

2002

  • Wilson, Peter Lamborn. Philip Taaffe: Carte annuvolate. San Marino: Galleria d'Arte Moderna eastward Contemporanea/ Skira, Milan.
  • Philip Taaffe: Illuminations. Poem by Wallace Stevens. Trento: Studio d'Arte Raffaelli.
  • Lipsey, Roger. Philip Taaffe: Ten Paintings. Köln: Galerie Jablonka.

2001

  • Fong, Pamela; Troupe, Quincy. Philip Taaffe: Confluence. San Diego: Academy of California, San Diego.
  • Bulteau, Michel. Philip Taaffe: Ouevres Récentes. Paris: Galerie Thaddaeus Ropac.
  • Coen, Vittoria; Pellizzi, Francesco. Philip Taaffe. Trento: Galleria Civica.

2000

  • Creeley, Robert; Juncosa, Enrique; Rosenblum, Robert. Philip Taaffe. Valencia: IVAM Institut Valencià d'Art Mod.
  • Wehrenberg, Charles. Philip Taaffe, New York: Gagosian Gallery.

1999

  • Ricard, Rene. Philip Taaffe. New York: Gagosian Gallery.
  • Philip Taaffe: Contempo Paintings. [Notes by the artist.] Aspen: Baldwin Gallery.

1998

  • Liebmann, Lisa. Philip Taaffe. Zurich: Thomas Ammann Fine art.
  • Diacono, Mario. Philip Taaffe. Boston: Mario Diancono Gallery.
  • Brakhage, Stan; Taaffe, Philip. Composite Nature. New York: Peter Blum Edition.
  • Philip Taaffe. Poem by James Merrill. Athens: Rebecca M. Camhi Gallery

1996

  • Cooke, Lynne. 10th Biennale of Sydney. Sydney: Biennale of Sydney.
  • Adams, Brooks. Philip Taaffe. Vienna: Wiener Secession.

1994

  • Crone, Rainer. The Decorative As a Figure of Brainchild. Munich: Cantz, Sammlung Goetz, pp. 56-57.
  • Grabar, Oleg. Philip Taaffe: Recent Paintings. New York: Gagosian.
  • Jay, Ricky. The Magic Magic Book. New York: Library Fellows of The Whitney Museum of American Art.
  • ———-. Nuevas Abstracciones. Madrid: Museo Nacional Centro de Arte Reina Sofia.

1993

  • ———-. Philip Taaffe. Japan: The 3-D Museum of Visual Art, Bijutsu Shuppan-Sha, pp. 70-71.
  • Grachos, Louis. Philip Taaffe. Miami: Center for the Fine Arts
  • Mrabet, Mohammed. Chocolate Creams & Dollars. New York: Inanout Printing

1992

  • Kaufmann, Ruth. Stubborn Painting: At present then. New York: Max Protetch Gallery.
  • Dickoff, Wilfried. Philip Taaffe. Köln: Galerie Max Hetzler

1991

  • ———-. Who Framed Modern Art or the Quantitative Life of Roger Rabbit. New York: Sidney Janis Gallery. 8
  • ———-. Circa 1991. New York: Due west.W. Norton & Co./ The Whitney Museum of American Art.
  • ———-. Foreign Abstraction. Tokyo: Touku Museum of Contemporary Fine art, pp. 14-xviii, 76-79.
  • Murkens, Romie. Fine art At present Posterbook, Vol. 1. Berlin: Benedikt Taschen Verlag Berlin GmbH.
  • Wheeler, Daniel. Fine art Since Mid Century: 1945 to the Present. New York: Vendome Printing.
  • Hoffman, Katherine. Exploration: The Visual Arts Since 1945. New York: Harper Collins, p. 307.
  • Taaffe, Philip. Presentation on the Embankment. New York: Gagosian Gallery.
  • Kultermann, Udo. Amerikanische Malerei heute. Pantheon, pp. 167-175.
  • Rosenblum, Robert. Warhol Equally Art History. New York: Rizzoli, pp. 22-27.
  • ———-.Towards a Definition of New Art. New York: Rizzoli, pp. 43- 69.
  • Kaufman, Ruth & Mike Mertz. Stubborn Painting: Now & Then. New York: Max Protech Gallery.

1990

  • Moszynska, Anna. Abstract Fine art. London: Thames & Hudson.
  • Diacono, Mario. The Iconographic Abstraction. New York: Perry Rubenstein Gallery.
  • ———-. Airtight Fires: A Not-Introduction to The Concluding Decade or A Reprise of Joan Didion's The White Anthology. New York: Tony Shafrazi Gallery.

1989

  • Vidal, Gore. Philip Taaffe. New York: Mary Boone/Pat Hearn Gallery.
  • Collins, Tricia & Richard Milazzo (Translation by Giovanna Minelli). Hyperframes: A Post-Cribbing Discourse. ("The Yale Lectures"). Vol. 1. Paris: Editions Antoine Candau.

1988

  • Fairbrother, Trevor, David Joselit & Elisabeth Sussman. American Art of the Late 80's:The Binational. Bonn: VG-Bildkunst, pp. 198, 243.
  • Bonuomo, Michele. Interview with Philip Taaffe. Naples: Lucio Amelio Gallery.

1987

  • Burroughs, William.; Taaffe, Philip. Cartoon Dialogue. New York: Pat Hearn Gallery
  • Diacono, Mario. Philip Taaffe. Boston: Mario Diacono Gallery.
  • Cameron, Dan. NY Fine art At present: The Saatchi Drove. London: Collier Searle Matfield, Ltd., pp. 13-56.
  • Armstrong, Richard, Richard Marshall & Lisa Phillips. Biennial 1987, Whitney Museum of American Art. New York: W.W. Norton & Visitor, pp. 11-15.
  • Frank, Peter & Michael McKenzie. "New, Used & Improved: Art for the 80's." New York: Abbeville Press, p. 92.
  • Pincus-Witten, Robert. Postminimalism into Maximalism: American Art 1966 – 1986. Ann Arbor: UMI enquiry Press.

1986

  • Saltz, Jerry. Beyond Boundaries: New York'southward New Art. New York: Alfred Van der Marck Editions, pp 69-71.
  • Bleckner, Ross. Philip Taaffe. New York: Pat Hearn Gallery.
  • Cortez, Diego. Philip Taaffe. Hamburg: Galerie Ascan Crone.
  • Cameron, Dan. Art & Its Double. Barcelona/Madrid: Fondacio Caixa de Pensiones.
  • Weiermair, Peter. Prospekt '86. Frankfurt: Frankfurt Kunstverein.

1985

  • Smith, Roberta. Vernacular Abstraction. Tokyo: Wacoal Art Centre.
  • Solomon, Thomas. A Dauntless New Earth: A New Generation. Copenhagen: Charlottenborg Exhibition Hall.

Articles and Reviews:

2015

  • Schwendener, Martha "A Creative Landscape:" The New York Times, April 17
  • D'Agostino, Paul "Natural History…" The L Magazine. February
  • "Goings on Most Town: Fine art" The New Yorker. February
  • Yau, John "Master of Many…" Hyperallergic. Feb
  • Colman, David "Double Vision" Architectural Assimilate. January
  • Laster, Paul "Painting is about capturing light" TimeOut New York, January 13
  • Laster, Paul "Design Recognition" Time Out New York. January

2014

  • Stein, Charles "In Conversation: Philip Taaffe…" The Brooklyn Rail. Dec 2014 / January 2015

2013

  • "Philip Taaffe" Art Studio America: Contemporary Artist Spaces
  • Earnest, Jarrett. "ARTSEEN: Suspended Turns – On Philip Taaffe's 'Sardica II'," The Brooklyn Track, July/August 2013, pg. 56.
  • Yau, John. "Painting equally an Occult Exercise: Philip Taaffe's Recent Work," Hyperallergic, June 3, 2013.
  • Laster, Paul. "Philip Taaffe, 'Contempo Work'," Fourth dimension Out New York, Issue 909, May 30 – June 5, 2013, pg. 39.
  • Plagens, Peter. "Crude Profundity and Patterns," The Wall Street Journal, May 11, 2013, p A22.
  • Scott, Andrea K. "Critic's Notebook: Imaging Systems," The New Yorker, May 20, 2013.

2012

  • Denson, G-Roger "Going Forward in Reverse," huffingtonpost.com, September

2011

  • Dillon, Noah "Abracadabra & Enquiry," Brooklyn Rail, June
  • Luke, Ben "Philip Taaffe," London Evening Standard, April eight
  • Gosling, Emily, "Kinda Kinaesthetic," designweek.com, Apr 8

2010

  • Brody, David," Philip Taaffe at Gagosian", ArtCritical.com, Feb.
  • Naves, Mario, "Philip Taaffe Works On Paper", Cityarts.info, Jan.
  • Landi, Ann, "The Ecstatic Esthetic". ARTnews, Mar.

2009

  • Cortez, Diego, "Philip Taaffe". Interview, Jun-Jul.
  • Greenish, Tyler." Brought to Calorie-free, Microscopy and Taaffe." Modern Art Notes, Feb 27.
  • Rigney, Robert. "Philip Taaffe at Jablonka, Berlin." ARTnews, Jun.

2008

  • Coggins, David. "Heirloom Varities." Art In America, October, pp. 158 – 167. 9
  • Nickas, Bob. "Review: Phillip Taaffe at Kunstmuseum Wolfburg", Artforum, May.
  • Koroxendis, Alexandra. "An Creative person Looks Into the Past." Ekathimerini.com, Jan 23.
  • Karcher, Eva, "Mr Universe". Faddy Deutschland, Mar.
  • ———-. "Artnet News. "PHILIP TAAFFE IN WOLFSBURG."" Artnet.com, Mar 6.

2007

  • Coggins, David. "Review: Phillip Taaffe at the Gagosian Gallery (Madison Artery)".
  • Modern Painters, May, p. 95.
  • Adam, Alfred Mac. "Review: Phillip Taaffe at the Gagosian Gallery (Madison Avenue)".
  • ARTnews, May, p. 156.
  • Princenthal, Nancy. "Review: Phillip Taaffe at the Gagosian Gallery (Madison Avenue)".
  • Art In America, May, pp. 195-196.
  • Smith, Roberta. "Between the Precise Layers, A cultural Narrative." The New York Times, Mar 16, p B27, B31.
  • Cohen, David. "Ornamental Agility." The New York Sun, Mar ane, pp. 11, 16.
  • Bowles, Hamish. "memory creative person." Vogue, Feb, pp. 238-243, 273.

2006

  • ———-. "New Prints Review." art on newspaper, Nov/Dec, pp. 60-75.
  • Adams, Brooks. "Time After Time." Art in America, Feb, pp. 56-63.

2005

  • Thea, Carolee, "The East Village, Voice," Mod Painters, Feb, pp.96-99.

2004

  • Yau, John. "Animilistic Light." Art on Paper, Jul/Aug, cover, pp. 32-35.

2002

  • Liebmann, Lisa. "Best of 2002: A Special Issue." Artforum, Dec.
  • Cotter, Holland. Review: 'The Heavenly Tree Grows Downward' Selected Works by Harry Smith, Philip Taaffe and Fred Tomaselli." The New York Times, Sep twenty.
  • Glueck, Grace. Review: "For Wall Street'southward Sake: Art to Lure Visitors Downtown." The New York Times, Jun 14.
  • Attias, Laurie. Review: Philip Taaffe at Thaddaeus Ropac, Paris. ARTnews, February, pp. 134- 135.

2000

  • Moos, David. "Philip Taaffe: The Bees Know He Will Exist Great." artext, No. 71, Nov/Jan 2001.
  • Gooch, Brad. First Break: Philip Taaffe. Artforum, May.
  • Bonetti, David. "And so, where are we now?" Art New England, Dec 1999/Jan.
  • Knight, Christopher. Review: "An Up Spiral: Philip Taaffe at Gagosian." Los Angeles
  • Times, Dec 1.

1999

  • Yood, James. "Post-hypnotic: Academy Galleries of Illinois Land University Normal, Illinois." Artforum, April.
  • Paparoni, Demetrio. "Matissiana." tema celeste, May-Jun.
  • Kimmelman, Michael. Review: Philip Taaffe at Gagosian Gallery (SoHo). The New York Times, May 28.
  • Naves, Mario. "Hindered by Impeccable Taste." The New York Observer, Jun 14.
  • ———-. Review: Philip Taaffe at Gagosian Gallery, SoHo, Time Out New York, Jun 17-24.
  • Saltz, Jerry. "Pattern & Dissipation." Village Phonation, Jun 22.

1998

  • Kuspit, Donald. Review: Philip Taaffe at Peter Blum, Artforum, Apr.
  • Hogrefe, Jeffrey. "Taaffe's Tortured Transition." The New York Observer, May 18.
  • Koplos, Janet. Review: Philip Taaffe at Peter Blum. Art in America, Jun.
  • Hilty, Greg. "Snakes and Daggers." Frieze, Jun-Jul-Aug.
  • ———-. "Philip Taaffe." ARTI International, May-Jun-Jul.

1997

  • Hofleitner, Johanna. "Philip Taaffe: Wiener Secession," Flash Art, Mar/April.

1994

  • Adams, Brooks. "The Tabernacle of Philip Taaffe." The Impress Collector's Newsletter Jan/February, pp. 206-210.
  • Liebmann, Lisa. "Taaffe'due south Temple." Elle Decor, Dec/January, pp. 24-30.
  • Lewis, Jim. "The Beauty Addict." Bazaar, January, pp. 100-104; 128; 132.
  • Smith, Roberta. "Philip Taaffe, Beyond mere Painting", New York Times, April 29, p. 38.
  • Choon, Angela. "Taking Roads Less Traveled", Art and Antiques, May.
  • Katz, Vincent. "Traveling Man", Newspaper Guide, May, p.34.
  • Clarkson, David. "Spotlight, Philip Taaffe", Wink Art, summertime, p.114.
  • White, Edmund. "Philip Taaffe, Al Quasbah, 1991", Artforum, summertime, pp. 66-67. 10

1992

  • Smith, Roberta. "Abstraction: A Trend That May Be Coming Back." The New York Times, Jan ten, p. C28.

1992

  • Bevan, Roger. "Aldo Rossi Designs Young Art at Hayward." The Journal of Art Newspaper 15, Feb, p. 9.
  • Platero, di Mario. "A Gagosian piace il Bel Paese." Il Sole 24 Ore, Feb 23, p. 27.
  • Whitford, Frank. "Schlock of the New, Frank Whitford on Trivial Pursuits at the Hayward." The London Sunday Times, February 23, p. 14.
  • Welish, Marjorie. "Abstraction, Advocacy of…" Tema Celeste, Mar, p. 75-eighty.
  • Kuspit, Donald. "Fin de Siècle Abstraction: The Ambiguous Re-Turn Inwards." Tema Celeste, Mar, pp. 53-55.
  • Johnson, Ken. "Philip Taaffe at Gagosian." Art in America, Mar, pp. 115-116.
  • Carrier, David. "Afterlight: Exhibiting Abstract Painting in the Era of Its Belatedness." Arts Magazine, Mar, pp. sixty-61.
  • ———-. "Milky Wave: Over-Sea." Floriade, Mar/Apr, p. 165.
  • Bell, Tiffany. "Les peintures de Kelly aujourd'hui." Artstudio, spring, pp. 158-171; 172-175.
  • Casadio, Mauiuccia. "Philip Taaffe: Hypnotic Painter." Interview, May, pp. 96-101; 129.

1991

  • ———-. "[Rene Ricard:] From Kant toe Kitsch and Back Once more." (part 2), Tema Celeste 29, Jan-Feb.
  • Kaneda, Shirley. "Philip Taaffe." Bomb, spring, pp. 36-41.
  • Smith, Roberta. "A Selection of Piece of work from the 80's at the Whitney." The New York Times, Mar eight.
  • Karcher, Eva. "So dealt Become-Become." Forbes, (German Edition), Apr iv, pp. 146-148.
  • Kimmelman, Michael. "At the Whitney, A Biennial That's Eager to Please." The New York Times, April nineteen, pp. C1, C24.
  • Kaneda, Shirley. "Paintings and its Others, In the Realm of the Feminine." Arts Magazine, summer, pp. 58-64
  • Perkowits, Sidney. "True Colors." The Sciences, May/Jun, pp.26-27.
  • McEvilley, Thomas. "Ii Large Shows: Post Modernism and its Discontents." Artforum, summer, pp.89-103.
  • Lingemann, Susanne. "Flaute bringt Bewegung ins Kunstmarkt-Karussell." Art #6, Jun, pp.22; 103-107.
  • Amelio, Lucio, and Franco Mollina. "The McDonald'south of Art." Tema Celeste, May/Jun, p. 35.
  • Smith, Roberta. "Works From the lxxx'southward With a Certain Optimism." The New York Times, Sep 21.
  • Moore, Alan. "Processing Myth: Collins & Milazzo at the Cadre of the Nouveau Faddy." Cover Magazine, Oct.
  • Kuspit, Donald. "The Concluding Decade." Artforum, Dec.
  • Cottingham, Laura. "The Final Decade." Contemporanea 23, Dec.
  • Liotta, Christine. "Who Framed Modern Art or the Quantitative Life of Roger Rabbit." Tema Celeste 31, May/Jun.
  • Decker, Andrew. "Art A GoGo." New York Magazine, Sep two, pp. 39-44.
  • Kimmelman, Michael. "At Carnegie 1991, Sincerity Edges Out Irony." The New York Times, Oct 27, pp. 31, 34.
  • Zinsser, John. "Geometry and its Discontents." Tema Celeste, autumn, pp. 72-76.
  • Rosenblum, Robert. "Subsequently Abstruse Painting." Tema Celeste, autumn, p. 80.
  • Cullum, Jerry. "Interview with Collins & Milazzo." Fine art Papers, Sep/October, pp. 28-31.
  • Levin. "Conceptual Abstraction." The Hamlet Phonation, November 26.
  • Kazanjian, Dodie. "Cultural Mix Master." Faddy, December, pp. 239-244; 310.
  • Larson, Kay. "Art." New York Magazine 24, No. 47, December ii.
  • ———-. "Art." The New Yorker, Dec 9, p. 17.
  • Kimmelman, Michael. "Art in Review: Philip Taaffe and Gagosian Gallery." The New York Times, Dec 20.
  • Smith, Roberta. "Fine art & Photography." The New York Times, Dec 29, p H31.
  • Tuchman, Phyllis. "Philip Taaffe's Art of Inclusion." New York Newsday, January 2, p. 69.
  • Weinstein, Matthew, "Philip Taaffe at Gagosian Gallery." Artforum, Feb, pp. 109-110. 11
  • Saltz, Jerry. "Re-animator, Philip Taaffe's Necromancer, 1991." Arts Mag, Mar, p. 17.

1990

  • Hayat, Yves J. "The Fine art Collector, Book i." Galleries Mag, 1990, p.121.
  • Dickhoff, Wilfried. "We Are Not Afraid." Parkett, No. 26, pp. 64-68; 70-75; 103-107.
  • Perrone, Jeff. "History is in the Making." Parkett, No. 26, pp. fourscore-87.
  • White, Edmund. "A Propos: Philip Taaffe." Parkett, No. 26, pp. 91-93 ; 95-97.
  • Pellizzi, Francesco. "Fragment on Ornamentation." Parkett, No. 26, pp. 98-101.
  • Denson, Chiliad. Roger. "Philip of Naples and the Evocative Geometry of History." Parkett, No. 26, pp.108-114.
  • Collins, Tricia and Richard Milazzo. "Rene Ricard: Sinking to the Bottom of Discourse." (part 1), Tema Celeste, Jul/Aug .

1989

  • Leigh, Christian. "Fine art on the Border of a Nervous Breakdown." Contemporanea, January.
  • Cyphers, Peggy. Review: Philip Taaffe at Pat Hearn/Mary Boone. Arts, Sep, p.100.
  • ———-. "Philip Taaffe: Pat Hearn Gallery/Mary Boone Gallery." Art & Antiques, Sep, p.35.
  • Bankowsky, Jack. "Philip Taaffe at Mary Boone Gallery; Pat Hearn Gallery." Artforum, Oct, pp.169-170.
  • McCoy, Pat. "Philip Taaffe: Pat Hearn, Mary Boone." Flash Fine art, Oct, p.130.
  • Zimmer, William. "Philip Taaffe: Pat Hearn, Mary Boone." ArtNews, Oct, pp.195-196.
  • Morris, Sarah. "Collins & Milazzo." Flash Art 149, Nov/Dec, pp.168-169; 176.
  • Koslow, Francine A. "Collins & Milazzo: Curators or Bolt Brokers." Contemporanea II, No. nine, Dec.
  • Vidali, Roberto. "Collins & Milazzo." Juliet Fine art Magazine 45, Dec.

1988

  • Russell, John. "Philip Taaffe." New York Times, January 3.
  • McCracken, David. "Different Views of a Mail service-modernist Globe." Chicago Tribune, April xv.
  • McEvilley, Thomas. "Marginilia: On Son of Sublime." Artforum, May.
  • Woodruff, Marker. "Collins & Milazzo: Doing It Their Fashion." Taxi, Sep.
  • Smith, Roberta. "80's Art with a Passport to West Deutschland." The New York Times, Oct 2.
  • McEvilley, Thomas. "Marginalia: Fils du Sublime." Art Printing 130, November.
  • Collins, Tricia and Richard Milazzo. "Art at the Stop of the Social." Translated by Stefan Sandelin.Malmo, Sweden: The Rooseum, Jul-Oct .
  • ———-. "Ross Bleckner." Galeries Mag 27, Oct/November.

1987

  • Nairne, Sandy. "State of the Art: Ideas & Images in the 1980's." London: Chatto & Windus, pp. 223.
  • Heartney, Eleanor. "The Hot New Cool Art: Simulationism." ArtNews, Jan, pp. 130-137.
  • Liebmann, Lisa. "M.B.A. Abstractionism." Flash Art, January/February.
  • Kuspit, Donald. "'What It Is' at Tony Shafrazi." Artscribe, January/Feb, p. 70.
  • Morgan, Stuart. "Frankfurt: 'Prospect 86' at the Kunstverein and Schirn Kunsthalle." Artscribe, January/Feb.
  • Becker, Robert. "Philip Taaffe." Interview, Mar.
  • Smith, Roberta. "Philip Taaffe." The New York Times, Mar 27.
  • ———-. "New Brainchild Five." The Impress Collector's Newsletter, No. 18, Mar/Apr.
  • ———-. "A Spectacle of Capability: Belcher, Taaffe, Vaisman." Flash Art International, No. 133, Apr, p. 58.
  • Indiana, Gary. "Negative Sublime Revisited." Hamlet Voice, April vii.
  • Brenson, Michael. "Whitney Biennial'due south New Wait." The New York Times, Apr 10.
  • Indiana, Gary. "Another Review of the Whitney." Hamlet Voice, Apr 28.
  • Levin, Kim. "Minimalisn't." Village Vocalisation, Apr 28.
  • Cameron, Dan. "Fine art and Its Double." Flash Art, May, pp. 57-71.
  • Perl, Jed. "Artburn." Vogue, May, pp. 308-310; 368.
  • Zimmer, William. "'Post Abstract Abstraction' in Ridgefield." The New York Times, Jul 5, p. 18.
  • Glueck, Grace. "What Do You Call Fine art'southward Newest Trend: 'Neo-Geo'…Perchance." The New York Times, Jul half-dozen.
  • Perrone, Jeff. "Fashion is the Real Matter in Abstraction." Arts Magazine, Jul.
  • Smith, Roberta. "Art: 'Generations of Geometry,' an Abstract Show." The New York Times, Jul 17. 12
  • Bonetti, David. "Talking Abstruse." Art in America, Jul.
  • McGill, Douglas C. "Art People: Neo-Geo's Newest." The New York Times, Jul 24.
  • Panicelli, Ida. "Customs: Ida Panicelli on the Whitney." Artforum, summertime, pp. 11-12.
  • Pincus-Witten, Robert. "Electrostatic Cling." Artscribe, Jul.
  • Heartney, Eleanor. "Philip Taaffe at Pat Hearn." ArtNews, Sep, p. 206.
  • Collings, Matthew. Interview (part 1): "Collins & Milazzo: Posthumous Meanings,"
  • Artscribe International, Sep/Oct, pp. 42- 49.
  • Collins, Tricia & Richard Milazzo. "Radical Consumption and New Poverty: A Soapbox on Irony and Superfluity." New Observations, No. 51, Oct.
  • Ottomon, Klaus. "Neo-Geo." Bijutsu Techo, Dec.
  • Collins, Tricia, and Richard Milazzo. "Tropical Codes." Kunstforum, Dec 1987-Jan 1988.
  • Wei, Lily. "Talking Abstract." Art in America, Dec, pp. 112-123.
  • Collings, Matthew. "Collins & Milazzo: Posthumous Meanings." Interview, pt.Ii, Artscribe International, Sep/October.

1986

  • Levin, Kim. "The Unresponsive Eye." The Village Voice, Jan 28.
  • Taaffe, Philip. "Sublimity, Now and Forever, Amen." Arts Mag, Mar.
  • Decter, Joshua. "Cult and Decorum." Arts Mag, Mar.
  • Siegel, Jeanne. "Geometry Desurfacing: Ross Bleckner, Alan Belcher, Ellen Carey,
  • Peter Halley, Sherrie Levine, Philip Taaffe, James Welling." Arts Magazine, Mar.
  • ———-. "Philip Taaffe." Flash Art, Apr, pp. 68-69.
  • Silverthorne, Jeanne. "Philip Taaffe at Pat Hearn." Artforum, April, p. 108.
  • Perl, Jed. "Fine art." The New Criterion 4, Apr, pp. 57-62.
  • Ottman, Klaus. "Supermannerism." Wink Art, Apr, pp. 59-61.
  • Kuspit, Donald. "Immature Necrophiliacs, Old Narcissists: Fine art About the Death of Fine art." Artscribe International, Apr.
  • Pincus-Witten, Robert. "Entries: The Scene That Turned on a Dime." Arts Magazine, Apr, pp. twenty-21.
  • Foster, Hal. "Signs Taken for Wonders." Fine art in America, Jun, pp. fourscore-91, 139.
  • Smith, Roberta. "Philip Taaffe at Pat Hearn." Fine art in America, Jun, pp. 125-126.
  • Taylor, Paul. "The Return of (Conceptual) Art." Parkett, No. nine, Jun.
  • Cameron, Dan. "Paravision." Fugura (Seville, Espana), No. half-dozen.
  • McGill, Douglas C. "The Lower Eastward Side'due south New Artists." The New York Times, Jun x.
  • "Wink Art Panel: From Criticism to Complicity." Flash Art, Jul.
  • Munhnic, Suzanne. "Commodity-Culture Art Rides Again." Los Angeles Times, Jul 26.
  • Jones, Alan. "Paravision: An Interview with Tricia Collins and Richard Milazzo." Galleries fourteen, Aug-Sep, pp. 41-47; 93-94 (106-109 English).
  • Knight, Christopher. "Fifty.A. Invasion of 'it'." Los Angeles Herald Examiner, Aug 10.
  • Relya, Lane. "Cool Art, Hot Commodities." L.A. Weekly, viii, No. 38, Aug 15-21.
  • Westfall, Stephen. "The Constructed Sublime." L.A. Weekly, 8, No. 38, Aug 15-21.
  • Tompkins, Calvin. "The Art World: Between Neo-and Mail service -." The New Yorker, Nov 24.
  • Siebert, Charles. "How a Painting Happens." Esquire, Dec, pp. 169-173.
  • Nemeczek, Alfred. "Neo-Geo Weder Trend Nocj Stil." Fine art, December.
  • Schjeldahl, Peter. "A Visit to the Salon of Autumn 1986." Art in America, Dec, pp. 15-21.
  • Audiello, Massimo. "Philip Taaffe." Vanity, December.

1985

  • Robinson, Walter. "Philip Taaffe." Fine art in America, Jan 1985.
  • Brenson, Michael. Review: Chi Chi Bear witness. The New York Times, Apr 9.
  • Indiana, Gary. "Just an Opinion." The Hamlet Vox, Jun 25.
  • Koehler, Jutta. "Ploetzlich ein Begriff." Koelner Stadtanzeiger, Jul 2.
  • Indiana, Gary. "The Collins & Milazzo Effect." The Hamlet Voice, Jul two.
  • W.One thousand., "Endphase de Kunst." Koelner Stadtanzeiger, Jul 2.
  • Cameron, Dan. "The Other Philip Taaffe." Arts Magazine, October, p. 18.
  • Kohn, Michael. "Philip Taaffe." Flash Art, Nov, pp. 72-73.
  • McCormick, Carlo. "Popometry." Artforum, Nov.
  • Evans-Clark, Philip. "Neo-Surrealism, or The Archetype of the Creative person as an Ostrich." Arts Magazine, December.
  • Politi, Giancarlo, and Helena Kontova. "Two Italians in New York." Flash Art. Dec. thirteen
  • ———-. "Philip Taaffe." Wolkenkratzer Art Periodical, December.

1984

  • Smith, Roberta. "Fine art & Its Double." The Village Voice, October 23, p. 45.
  • Carr, C. "Shock of the Old." The Hamlet Vox, Oct thirty.

1982

  • Walker, James. "A Sense of Place." Artscribe, No. 38, Dec.

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Source: https://philiptaaffe.info/biography/